Troy’s Response I Have Codified For The Obvious Reason – A performance in three parts.
Archival pigment print on 300 rag paper
84 x 59
for Framed Movements, curated by Hannah Matthews
Australian Centre for Contemporary Art, Melbourne 2014
To Lee, Matthew and Tim: a performance for three men
Archival pigment print on 300 rag paper
84 x 59
for Framed Movements, curated by Hannah Matthews
Australian Centre for Contemporary Art, Melbourne 2014
A performance for all the men in my address book
Archival pigment print on 300 rag paper
84 x 59
for Framed Movements, curated by Hannah Matthews
Australian Centre for Contemporary Art, Melbourne 2014
The Public Body: an email performance
Archival pigment print on 300 rag paper
84 x 59
for Framed Movements, curated by Hannah Matthews
Australian Centre for Contemporary Art, Melbourne 2014
Dying: an email performance
Archival pigment print on 300 rag paper
84 x 59
for Framed Movements, curated by Hannah Matthews
Australian Centre for Contemporary Art, Melbourne 2014
FORWARD: FORWARD: new artist? (after ian millis) – a new old performance by Brian Fuata
Archival pigment print on 300 rag paper
84 x 59
for Framed Movements, curated by Hannah Matthews
Australian Centre for Contemporary Art, Melbourne 2014